Note to self : don't sit in the center of the room again. The model always feels they need to face in the direction of the audience...stage front. All those dead-on shots just kill depth. You can still get good stuff, don't get me wrong. I just always tend to sit to either side in order to get those nice 3/4 views with heavily receding/advancing forms. 6B was an imagined view of 6, just because I had that too-perfect tunnel vision.
This blog...
...was initially for pieces done on a computer, but has since become a free-for-all. Here you'll find process work (digital and otherwise), sketch pages and studies, sometimes with commentary.
You can see the rest of my work here.
Remember kids : if you can't make pretty designs, at least make pretty lines!
-Paul
You can see the rest of my work here.
Remember kids : if you can't make pretty designs, at least make pretty lines!
-Paul
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2 comments:
Nice stuff Paul! Think of it this way: had you not sat in the middle, you would've just done another set of 3/4 views. This way you changed it up a bit, and you get to practice the subtle depth of straight on views.
I'm not a person who's easily impressed by "subtle." But yes, I see your point.
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